16-24 May, Minneapolis.

25-29 May, Console-ing Passions, University of Wisconsin-Milwaukee.

1-3 June, “The Subject of Perceptual Coding,” Canadian Communication Association Annual Conference, Toronto.

22-25 September, “The Inaudible City,” Cité Invisible/Invisible City, Bibliothèque Nationale du Québec (Montreal).

5-7 October, “Cats and People in the Psychoacoustics Lab,” Acoustics in the Laboratory Conference, Max Planck Institute for the History of Science, Berlin.

2-4 November, Respondent, “Music and Technologies of Remixing,” Society for the Social Study of Science, Vancouver, B.C.

26 January (2-4pm), “The Meaning of Music is in Play,” Symposium on Guitar Hero, Concordia University, Hall Bldg H-1120.

8 February, “Cats and People in the Psychoacoustics Lab,” Global Media Research Center, Southern Illinois University, Carbondale.

16-23 Feb Seattle (research trip)

10 March, “Love, Craft and Erudition in Sound Studies,” Future of Sound Studies Panel, Annual Conference of the Society for Cinema and Media Studies, Chicago.

23-25 March, “Sex and the Sound Test: A Short History,” Technologies of the Diva Conference, Columbia University, New York.

27 April, “Digital Audio: A Secret Feline History,” Concordia Conference on Interdisciplinarity, Montreal.

30 May-1 June, Canadian Communication Association, Saskatoon